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"What is it?" asks he, quick to notice any change in her.,

Cold Maker said, "Here is your new robe," and Broken Bow took from the bears their thick, warm skins.,

At this Mona breaks into a sweet but ringing laugh, that makes Lady Rodney (who is growing sleepy, and, therefore, irritable) turn, and fix upon her a cold, reproving glance.,

A very charming vision clad in Oxford shirting, and with a great white hat tied beneath her rounded chin with blue ribbons,—something in the style of a Sir Joshua Reynolds,—emerges from among the low-lying firs at this moment. Having watched the (seemingly) light catastrophe from afar, and being apparently amused by it, she now gives way to unmistakable mirth and laughs aloud. When Mona laughs, she does it with all her heart, the correct method of suppressing all emotion, be it of joy or sorrow,—regarding it as a recreation permitted only to the vulgar,—being as yet unlearned by her. Therefore her expression of merriment rings gayly and unchecked through the old wood.

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As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.,

"Put down your pistol, sir," she says, hastily. "Would you fire on a woman?" Her tone, though hurried, is not oppressed with fear. She even advances a few steps in his direction. Her words, her whole manner, fill him with admiration. The extreme courage she betrays is, indeed worthy of any man's laudation, but the implied trust in his chivalry touches Paul Rodney more than anything has ever had power to touch him before.,

Here he breaks down ignominiously, considering the amount of sternness he had summoned to his aid when commencing, and, walking to the mantelpiece, lays his arm on it, and his head upon his arms.,

After that the little girl who was watching came into the lodge and said, "Pity me, man-eater, my mother is hungry and asks you for those bones." The old man gathered them together and handed them to her, and she took them out of the lodge. When she had gone a little way, she called all the dogs to her and threw down the bones to the dogs, crying out, "Look out, Kŭt-o-yĭs´, the dogs are eating you," and when she said that, Kŭt-o-yĭs´ arose from the pile of bones.